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  • Difference between revisions of "Copyright Laws and Music"

    Revision as of 17:49, 22 November 2016 (edit)
    Dr.davidcring (Talk | contribs)
    (Created page with " <div style="padding-left:25px;padding-right:30px;"> [<span style="color:blue">"Ontology, Originality and the Musical Work: Copyright Law and the Status of Samples," Eric Lew...")
     
    Revision as of 17:56, 22 November 2016 (edit) (undo)
    Dr.davidcring (Talk | contribs)
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    [<span style="color:blue">"Ontology, Originality and the Musical Work: Copyright Law and the Status of Samples," Eric Lewis, Department of Philosophy, McGill University </span>] where Eric Lewis expresses his views on classical musics being role model followed by English copyright law that has has pernicious ramifications for when other non-classical musics come under the copyright laws.
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    ===<span style="color:fuchsia">'''Copyright Laws Affect on Music'''</span>===
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    * [http://music.mcgill.ca/pipermail/mcgill_improv_reading_group/attachments/20121106/5731974f/attachment-0001.doc "Ontology, Originality and the Musical Work: Copyright Law and the Status of Samples,"] <span style="color:blue">Eric Lewis, Department of Philosophy, McGill University explains how copyright laws tacit musical role model of classical music has pernicious ramifications for non-classically organized musics.</span>
      
     
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    Revision as of 17:56, 22 November 2016

    Copyright Laws Affect on Music

    • "Ontology, Originality and the Musical Work: Copyright Law and the Status of Samples," Eric Lewis, Department of Philosophy, McGill University explains how copyright laws tacit musical role model of classical music has pernicious ramifications for non-classically organized musics.
    Retrieved from "http://philosophyofjazz.net/w/index.php?title=Copyright_Laws_and_Music&oldid=4470"

    Philosophy of Jazz