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29 March 2020
| 03:36 | Ontimpr10. Improvisation and Composition (19 changes | history) . . (+937) . . [Dr.davidcring (19×)] | |
| 03:36 (cur | prev) . . (+3) . . Dr.davidcring (Talk | contribs) (→Could there be a one note composition?) | ||
| 03:35 (cur | prev) . . (0) . . Dr.davidcring (Talk | contribs) (→Could there be a one note composition?) | ||
| 03:33 (cur | prev) . . (-11) . . Dr.davidcring (Talk | contribs) (→Not every improvisation counts as a composition) | ||
| 03:32 (cur | prev) . . (+1) . . Dr.davidcring (Talk | contribs) (→Not every improvisation counts as a composition) | ||
| 03:06 (cur | prev) . . (-8) . . Dr.davidcring (Talk | contribs) (→“Does not its almost total lack of structure make even the best jazz inferior to mediocre composed music?”) | ||
| 03:05 (cur | prev) . . (-3) . . Dr.davidcring (Talk | contribs) (→Assessment of the Inherent Inferiority of Improvisations Over Pre-Composed Music) | ||
| 03:04 (cur | prev) . . (-1) . . Dr.davidcring (Talk | contribs) (→Refutation of Myths and Falsehoods About Improvisation) | ||
| 03:04 (cur | prev) . . (-3) . . Dr.davidcring (Talk | contribs) (→Aesthetic Standard Differences Between Pre-Composed Compositions versus Improvisational Compositions) | ||
| 03:03 (cur | prev) . . (-1) . . Dr.davidcring (Talk | contribs) (→Paul Rinzler's Response to Gioia's Complaints) | ||
| 03:02 (cur | prev) . . (-1) . . Dr.davidcring (Talk | contribs) (→Is All Music Making Improvisational?) | ||
| 03:00 (cur | prev) . . (-5) . . Dr.davidcring (Talk | contribs) (→Could there be a one note composition?) | ||
| 02:59 (cur | prev) . . (-3) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 02:54 (cur | prev) . . (0) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 02:52 (cur | prev) . . (+209) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 02:43 (cur | prev) . . (-29) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 02:42 (cur | prev) . . (+252) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 02:32 (cur | prev) . . (+122) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 02:29 (cur | prev) . . (0) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 01:01 (cur | prev) . . (+415) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) |
28 March 2020
| 13:18 | Ontimpr10. Improvisation and Composition (14 changes | history) . . (+4,236) . . [Dr.davidcring (14×)] | |
| 13:18 (cur | prev) . . (+1) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 13:18 (cur | prev) . . (+1,685) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 12:55 (cur | prev) . . (+130) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 12:51 (cur | prev) . . (+62) . . Dr.davidcring (Talk | contribs) (→Objections to Improvisation's Imperfections) | ||
| 12:50 (cur | prev) . . (+37) . . Dr.davidcring (Talk | contribs) (→Paul Rinzler's Response to Gioia's Complaints) | ||
| 12:49 (cur | prev) . . (+776) . . Dr.davidcring (Talk | contribs) (→Paul Rinzler's Response to Gioia's Complaints) | ||
| 12:45 (cur | prev) . . (+32) . . Dr.davidcring (Talk | contribs) (→Paul Rinzler's Response to Gioia's Complaints) | ||
| 12:18 (cur | prev) . . (0) . . Dr.davidcring (Talk | contribs) (→Aesthetic Differences Between Non-Improvised Compositions and Improvisations) | ||
| 12:17 (cur | prev) . . (+211) . . Dr.davidcring (Talk | contribs) (→Aesthetic Differences Between Non-Improvised Compositions and Improvisations) | ||
| 06:49 (cur | prev) . . (+28) . . Dr.davidcring (Talk | contribs) (→Is All Music Making Improvisational?) | ||
| 06:36 (cur | prev) . . (+12) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 06:22 (cur | prev) . . (+1,053) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 06:04 (cur | prev) . . (+109) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 00:26 (cur | prev) . . (+100) . . Dr.davidcring (Talk | contribs) (→Defending Improvisations) |
27 March 2020
| 16:15 | Ontimpr10. Improvisation and Composition (15 changes | history) . . (+5,225) . . [Dr.davidcring (15×)] | |
| 16:15 (cur | prev) . . (-1) . . Dr.davidcring (Talk | contribs) (→Are All Successful Jazz Improvisations Compositions?) | ||
| 16:15 (cur | prev) . . (0) . . Dr.davidcring (Talk | contribs) (→What is the meaning of "spontaneous"?) | ||
| 16:13 (cur | prev) . . (-1) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 16:12 (cur | prev) . . (+17) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 16:12 (cur | prev) . . (+79) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 16:07 (cur | prev) . . (+2,175) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:56 (cur | prev) . . (+6) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:55 (cur | prev) . . (+16) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:55 (cur | prev) . . (+2) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:54 (cur | prev) . . (+75) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:51 (cur | prev) . . (+9) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:47 (cur | prev) . . (+7) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:47 (cur | prev) . . (+35) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:46 (cur | prev) . . (-1,757) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) | ||
| 15:44 (cur | prev) . . (+4,563) . . Dr.davidcring (Talk | contribs) (→Distinctive Features of Non-Improvised Compositions and Composers) |
| 15:18 | Philosophy Books on Jazz (2 changes | history) . . (+78,251) . . [Dr.davidcring (2×)] | |
| 15:18 (cur | prev) . . (+78,233) . . Dr.davidcring (Talk | contribs) (→Metaphysics of Improvisation) | ||
| 15:06 (cur | prev) . . (+18) . . Dr.davidcring (Talk | contribs) (→Metaphysics of Improvisation) |