Changes related to "Ontology"

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Show new changes starting from 22:02, 21 February 2019

20 February 2019

	17:20	Ontdef3. What is the definition of jazz?‎‎ (50 changes \| history) . . (+3,926)‎ . . [Dr.davidcring‎ (50×)]
		17:20 (cur \| prev) . . (+43)‎ . . Dr.davidcring (Talk \| contribs) (→‎Key Elements of Jazz)
		17:18 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Key Elements of Jazz)
		17:16 (cur \| prev) . . (+2)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:15 (cur \| prev) . . (+358)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:07 (cur \| prev) . . (+30)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:06 (cur \| prev) . . (+46)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:03 (cur \| prev) . . (+137)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:59 (cur \| prev) . . (-1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:59 (cur \| prev) . . (+85)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:29 (cur \| prev) . . (-1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:27 (cur \| prev) . . (+464)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:16 (cur \| prev) . . (+229)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:12 (cur \| prev) . . (+88)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:10 (cur \| prev) . . (+212)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:03 (cur \| prev) . . (+2)‎ . . Dr.davidcring (Talk \| contribs) (→‎Why HSI is central to jazz)
		16:01 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Why HSI is central to jazz)
		16:00 (cur \| prev) . . (+38)‎ . . Dr.davidcring (Talk \| contribs) (→‎Why HSI is central to jazz)
		15:58 (cur \| prev) . . (+38)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:56 (cur \| prev) . . (+150)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:53 (cur \| prev) . . (+90)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:50 (cur \| prev) . . (+44)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:44 (cur \| prev) . . (-1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:42 (cur \| prev) . . (+273)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:37 (cur \| prev) . . (0)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:37 (cur \| prev) . . (+141)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:34 (cur \| prev) . . (+40)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:33 (cur \| prev) . . (+49)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:27 (cur \| prev) . . (+45)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Galactic Model for Defining Jazz)
		15:24 (cur \| prev) . . (+188)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Galactic Model for Defining Jazz)
		15:16 (cur \| prev) . . (-32)‎ . . Dr.davidcring (Talk \| contribs) (→‎Classic jazz, Modern jazz, and Post-Jazz)
		15:10 (cur \| prev) . . (+98)‎ . . Dr.davidcring (Talk \| contribs) (→‎André Hodeir's Definition of Jazz)
		14:56 (cur \| prev) . . (+75)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:52 (cur \| prev) . . (+42)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:48 (cur \| prev) . . (+98)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:43 (cur \| prev) . . (-7)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:38 (cur \| prev) . . (+71)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:35 (cur \| prev) . . (0)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:35 (cur \| prev) . . (+136)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:33 (cur \| prev) . . (+157)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:29 (cur \| prev) . . (+228)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:24 (cur \| prev) . . (-3)‎ . . Dr.davidcring (Talk \| contribs) (→‎Implications for jazz being a process)
		14:23 (cur \| prev) . . (+2)‎ . . Dr.davidcring (Talk \| contribs) (→‎Implications for jazz being a process)
		14:22 (cur \| prev) . . (+53)‎ . . Dr.davidcring (Talk \| contribs) (→‎Implications for jazz being a process)
		14:20 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:18 (cur \| prev) . . (+29)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:15 (cur \| prev) . . (+60)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:14 (cur \| prev) . . (0)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:05 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Ornette Sufficiency Condition)
		14:05 (cur \| prev) . . (+32)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Ornette Sufficiency Condition)
		06:45 (cur \| prev) . . (+94)‎ . . Dr.davidcring (Talk \| contribs) (→‎A sufficient condition for playing jazz)

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	17:20	Ontdef3. What is the definition of jazz?‎‎ (50 changes \| history) . . (+3,926)‎ . . [Dr.davidcring‎ (50×)]
		17:20 (cur \| prev) . . (+43)‎ . . Dr.davidcring (Talk \| contribs) (→‎Key Elements of Jazz)
		17:18 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Key Elements of Jazz)
		17:16 (cur \| prev) . . (+2)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:15 (cur \| prev) . . (+358)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:07 (cur \| prev) . . (+30)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:06 (cur \| prev) . . (+46)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		17:03 (cur \| prev) . . (+137)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:59 (cur \| prev) . . (-1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:59 (cur \| prev) . . (+85)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:29 (cur \| prev) . . (-1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:27 (cur \| prev) . . (+464)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:16 (cur \| prev) . . (+229)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:12 (cur \| prev) . . (+88)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:10 (cur \| prev) . . (+212)‎ . . Dr.davidcring (Talk \| contribs) (→‎Hybridization of Diatonic and Pentatonic Musical Scales)
		16:03 (cur \| prev) . . (+2)‎ . . Dr.davidcring (Talk \| contribs) (→‎Why HSI is central to jazz)
		16:01 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Why HSI is central to jazz)
		16:00 (cur \| prev) . . (+38)‎ . . Dr.davidcring (Talk \| contribs) (→‎Why HSI is central to jazz)
		15:58 (cur \| prev) . . (+38)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:56 (cur \| prev) . . (+150)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:53 (cur \| prev) . . (+90)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:50 (cur \| prev) . . (+44)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:44 (cur \| prev) . . (-1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:42 (cur \| prev) . . (+273)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:37 (cur \| prev) . . (0)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:37 (cur \| prev) . . (+141)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:34 (cur \| prev) . . (+40)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:33 (cur \| prev) . . (+49)‎ . . Dr.davidcring (Talk \| contribs) (→‎Free Jazz)
		15:27 (cur \| prev) . . (+45)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Galactic Model for Defining Jazz)
		15:24 (cur \| prev) . . (+188)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Galactic Model for Defining Jazz)
		15:16 (cur \| prev) . . (-32)‎ . . Dr.davidcring (Talk \| contribs) (→‎Classic jazz, Modern jazz, and Post-Jazz)
		15:10 (cur \| prev) . . (+98)‎ . . Dr.davidcring (Talk \| contribs) (→‎André Hodeir's Definition of Jazz)
		14:56 (cur \| prev) . . (+75)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:52 (cur \| prev) . . (+42)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:48 (cur \| prev) . . (+98)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:43 (cur \| prev) . . (-7)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:38 (cur \| prev) . . (+71)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:35 (cur \| prev) . . (0)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:35 (cur \| prev) . . (+136)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:33 (cur \| prev) . . (+157)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:29 (cur \| prev) . . (+228)‎ . . Dr.davidcring (Talk \| contribs) (→‎Individual sonorities can be used to delineate jazz as a musical genre)
		14:24 (cur \| prev) . . (-3)‎ . . Dr.davidcring (Talk \| contribs) (→‎Implications for jazz being a process)
		14:23 (cur \| prev) . . (+2)‎ . . Dr.davidcring (Talk \| contribs) (→‎Implications for jazz being a process)
		14:22 (cur \| prev) . . (+53)‎ . . Dr.davidcring (Talk \| contribs) (→‎Implications for jazz being a process)
		14:20 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:18 (cur \| prev) . . (+29)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:15 (cur \| prev) . . (+60)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:14 (cur \| prev) . . (0)‎ . . Dr.davidcring (Talk \| contribs) (→‎Can Beethoven's Fifth Symphony be turned into jazz?)
		14:05 (cur \| prev) . . (+1)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Ornette Sufficiency Condition)
		14:05 (cur \| prev) . . (+32)‎ . . Dr.davidcring (Talk \| contribs) (→‎The Ornette Sufficiency Condition)
		06:45 (cur \| prev) . . (+94)‎ . . Dr.davidcring (Talk \| contribs) (→‎A sufficient condition for playing jazz)