Difference between revisions of "Copyright Laws and Music"
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===<span style="color:fuchsia">'''Copyright Laws Affect on Music'''</span>=== | ===<span style="color:fuchsia">'''Copyright Laws Affect on Music'''</span>=== | ||
| − | * [http://music.mcgill.ca/pipermail/mcgill_improv_reading_group/attachments/20121106/5731974f/attachment-0001.doc "Ontology, Originality and the Musical Work: Copyright Law and the Status of Samples,"] <span style="color:blue">Eric Lewis, Department of Philosophy, McGill University explains how copyright laws tacit musical role model of classical music has pernicious ramifications for non-classically organized musics. The paper proves that the laws tendency to exclusively use '''only''' melody, rhythm, and harmony to determine musical identities is flawed.span> | + | * [http://music.mcgill.ca/pipermail/mcgill_improv_reading_group/attachments/20121106/5731974f/attachment-0001.doc "Ontology, Originality and the Musical Work: Copyright Law and the Status of Samples,"] <span style="color:blue">Eric Lewis, Department of Philosophy, McGill University explains how copyright laws tacit musical role model of classical music has pernicious ramifications for non-classically organized musics. The paper proves that the laws tendency to exclusively use '''only''' melody, rhythm, and harmony to determine musical identities is flawed.<span> |
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Revision as of 15:55, 29 November 2016
Copyright Laws Affect on Music
- "Ontology, Originality and the Musical Work: Copyright Law and the Status of Samples," Eric Lewis, Department of Philosophy, McGill University explains how copyright laws tacit musical role model of classical music has pernicious ramifications for non-classically organized musics. The paper proves that the laws tendency to exclusively use only melody, rhythm, and harmony to determine musical identities is flawed.
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