View source for Ontmeta11. Ontology, jazz, and musical works

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===[[{{TALKPAGENAME}}|'''Discussion''']]===  

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===<span style="color:fuchsia">'''Introduction'''</span>===

<span style="color:blue">Some philosophers think that there are no musical works in jazz, such as [http://philosophyofjazz.net/wiki/Jazz_Resources#Dr._Andrew_Kania Andrew Kania] [[file:AndrewKania1.jpeg|link=http://www.trinity.edu/directory/akania |alt=A color headshot of Andrew Kania smiling with full beard]].  Other philosophers believe the ontology of musical works makes no aesthetic differences, such as James O. Young.  </span>

* <span style="color:blue">Shalkowski, Scott A. [http://www.jstor.org/stable/2186101 "The Ontological Ground of the Alethic Modality."] ''The Philosophical Review'' vol. 103, no. 4 (Oct., 1994), 669–688. </span> 

* <span style="color:blue">Young, James O. [http://www.jstor.org/stable/44259305 “The Ontology of Musical Works: A Philosophical Pseudo-Problem.”] ''Frontiers of Philosophy in China'' 6, no. 2 (2011): 284–97. </span> 

* <span style="color:blue">Young, James O. [http://www.musicandmeaning.net/articles/JMM13/JamesYoungJMM13.pdf "The Poverty of Musical Ontology."] ''JMM: The Journal of Music and Meaning'' vol. 13 ( 2014/2015): 19 pages. </span> 

* <span style="color:blue"> Young, James O. [http://www.academia.edu/44069297/Empiricism_and_the_Ontology_of_Jazz "Empiricism and the Ontology of Jazz."] ''Revista Portuguesa de Filosoﬁa'' vol. 74 (4) (2018): 1255–1266. DOI 10.17990/RPF/2018_74_4_125. </span> 


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==='''NOTES'''===
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