Difference between revisions of "Ontmeta11. Ontology, jazz, and musical works"
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===<span style="color:fuchsia">'''Introduction'''</span>=== | ===<span style="color:fuchsia">'''Introduction'''</span>=== | ||
| − | <span style="color:blue">Some philosophers think | + | <span style="color:blue">Some philosophers think that there are no musical works in jazz, such as [http://philosophyofjazz.net/wiki/Jazz_Resources#Dr._Andrew_Kania Andrew Kania] [[file:AndrewKania1.jpeg|link=http://www.trinity.edu/directory/akania |alt=A color headshot of Andrew Kania smiling with full beard]]. Other philosophers believe the ontology of musical works makes no aesthetic differences, such as James O. Young. </span> |
| − | * <span style="color:blue"> | + | * <span style="color:blue">Shalkowski, Scott A. [http://www.jstor.org/stable/2186101 "The Ontological Ground of the Alethic Modality."] ''The Philosophical Review'' vol. 103, no. 4 (Oct., 1994), 669–688. </span> |
* <span style="color:blue">Young, James O. [http://www.jstor.org/stable/44259305 “The Ontology of Musical Works: A Philosophical Pseudo-Problem.”] ''Frontiers of Philosophy in China'' 6, no. 2 (2011): 284–97. </span> | * <span style="color:blue">Young, James O. [http://www.jstor.org/stable/44259305 “The Ontology of Musical Works: A Philosophical Pseudo-Problem.”] ''Frontiers of Philosophy in China'' 6, no. 2 (2011): 284–97. </span> | ||
| − | * <span style="color:blue"> | + | * <span style="color:blue">Young, James O. [http://www.musicandmeaning.net/articles/JMM13/JamesYoungJMM13.pdf "The Poverty of Musical Ontology."] ''JMM: The Journal of Music and Meaning'' vol. 13 ( 2014/2015): 19 pages. </span> |
| − | + | ||
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| + | * <span style="color:blue"> Young, James O. [http://www.academia.edu/44069297/Empiricism_and_the_Ontology_of_Jazz "Empiricism and the Ontology of Jazz."] ''Revista Portuguesa de Filosofia'' vol. 74 (4) (2018): 1255–1266. DOI 10.17990/RPF/2018_74_4_125. </span> | ||
Latest revision as of 15:04, 10 April 2022
Discussion[edit]
Introduction[edit]
Some philosophers think that there are no musical works in jazz, such as Andrew Kania 
. Other philosophers believe the ontology of musical works makes no aesthetic differences, such as James O. Young.
- Shalkowski, Scott A. "The Ontological Ground of the Alethic Modality." The Philosophical Review vol. 103, no. 4 (Oct., 1994), 669–688.
- Young, James O. “The Ontology of Musical Works: A Philosophical Pseudo-Problem.” Frontiers of Philosophy in China 6, no. 2 (2011): 284–97.
- Young, James O. "The Poverty of Musical Ontology." JMM: The Journal of Music and Meaning vol. 13 ( 2014/2015): 19 pages.
- Young, James O. "Empiricism and the Ontology of Jazz." Revista Portuguesa de Filosofia vol. 74 (4) (2018): 1255–1266. DOI 10.17990/RPF/2018_74_4_125.
NOTES[edit]