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  • Difference between revisions of "Ontmeta11. Ontology, jazz, and musical works"

    Revision as of 23:29, 24 January 2022 (edit)
    Dr.davidcring (Talk | contribs)
    (Created page with "<div style="padding-left:25px;padding-right:30px;"> <div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed; bottom:32px; left:2%; z-index:9999;...")
     
    Revision as of 23:36, 24 January 2022 (edit) (undo)
    Dr.davidcring (Talk | contribs)
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    <span style="color:blue">Some philosophers think,that there are no  musical works in jazz, such as Andrew Kania.  Some philosophers think that the ontology of musical works makes no aesthetic differences, such as James O. Young.  </span>
     
    <span style="color:blue">Some philosophers think,that there are no  musical works in jazz, such as Andrew Kania.  Some philosophers think that the ontology of musical works makes no aesthetic differences, such as James O. Young.  </span>
      
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    * [http://www.academia.edu/44069297/Empiricism_and_the_Ontology_of_Jazz "Empiricism and the Ontology of Jazz,"]  
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    * Young, James O. [http://www.academia.edu/44069297/Empiricism_and_the_Ontology_of_Jazz "Empiricism and the Ontology of Jazz."] ''Revista Portuguesa de Filosofia'' vol. 74 (4) (2018): 1255–1266. DOI 10.17990/RPF/2018_74_4_125
      
    −
    * Scott A. Shalkowski, [http://www.jstor.org/stable/2186101 "The Ontological Ground of the Alethic Modality," ''The Philosophical Review'', (Durham: Duke University Press, Vol. 103, No. 4 (Oct., 1994), 669–688.
    +
    * Young, James O. [http://www.jstor.org/stable/44259305 “The Ontology of Musical Works: A Philosophical Pseudo-Problem.”] ''Frontiers of Philosophy in China'' 6, no. 2 (2011): 284–97.
     +
     
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    * Scott A. Shalkowski, [http://www.jstor.org/stable/2186101 "The Ontological Ground of the Alethic Modality." ''The Philosophical Review'' vol. 103, no. 4 (Oct., 1994), 669–688.
      
     
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    *  

    Revision as of 23:36, 24 January 2022

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    Introduction

    Some philosophers think,that there are no musical works in jazz, such as Andrew Kania. Some philosophers think that the ontology of musical works makes no aesthetic differences, such as James O. Young.

    • Young, James O. "Empiricism and the Ontology of Jazz." Revista Portuguesa de Filosofia vol. 74 (4) (2018): 1255–1266. DOI 10.17990/RPF/2018_74_4_125
    • Young, James O. “The Ontology of Musical Works: A Philosophical Pseudo-Problem.” Frontiers of Philosophy in China 6, no. 2 (2011): 284–97.
    • Scott A. Shalkowski, [http://www.jstor.org/stable/2186101 "The Ontological Ground of the Alethic Modality." The Philosophical Review vol. 103, no. 4 (Oct., 1994), 669–688.



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