Long pages

Showing below up to 50 results in range #351 to #400.

View (previous 50 | next 50) (20 | 50 | 100 | 250 | 500)

351. (hist) ‎Sp1. Should the Federal government support jazz? ‎[235 bytes]
352. (hist) ‎Ae23. ? ‎[235 bytes]
353. (hist) ‎Ae22. ? ‎[235 bytes]
354. (hist) ‎Ae21. ? ‎[235 bytes]
355. (hist) ‎Ae20. ? ‎[235 bytes]
356. (hist) ‎Ae19. ? ‎[235 bytes]
357. (hist) ‎Ae18. ? ‎[235 bytes]
358. (hist) ‎Ae17. ? ‎[235 bytes]
359. (hist) ‎Ae15. How large a public consensus need exist for jazz to further develop its music? ‎[235 bytes]
360. (hist) ‎Ae14. Must jazz by definition rest on some public consensus for it to be an art form in a culture? ‎[235 bytes]
361. (hist) ‎Ae13. Must jazz have commonalities intact between all jazz styles for recognition of its art form status? ‎[235 bytes]
362. (hist) ‎Ae12. How does a musical development such as jazz become an art? ‎[235 bytes]
363. (hist) ‎Ae11. What characteristics does jazz as an art form share with other art forms such as literature, theatre, visual arts, or classical music? ‎[235 bytes]
364. (hist) ‎Eth7. ‎[235 bytes]
365. (hist) ‎Eth3. Is it unethical for musicians to sample jazz riffs? ‎[235 bytes]
366. (hist) ‎Ep15. Was jazz less diverse at the start of the 20th century than it is now? ‎[235 bytes]
367. (hist) ‎Ep14. How will future jazz historians distinguish good from bad jazz as it develops in a culture? ‎[235 bytes]
368. (hist) ‎Ep12. Must a musical style first become popular before it can mature into an art form? ‎[235 bytes]
369. (hist) ‎EmT6. How did the music of Cuba affect jazz? ‎[235 bytes]
370. (hist) ‎EmT5. Why did jazz happen? ‎[235 bytes]
371. (hist) ‎EmT3. Why did the blues develop? ‎[235 bytes]
372. (hist) ‎EmT2. What kind of music did African slaves bring to America? ‎[235 bytes]
373. (hist) ‎Ontimpr8. The complexity of improvisation ‎[235 bytes]
374. (hist) ‎Ontpj10. Good jazz: What makes it good? ‎[235 bytes]
375. (hist) ‎Ontpj9. Bad jazz: What makes it bad? ‎[235 bytes]
376. (hist) ‎MetaSB3. Does playing jazz make a musician more spiritual? ‎[235 bytes]
377. (hist) ‎MetaA1. Is music an abstract object? ‎[235 bytes]
378. (hist) ‎Onttype12. What is Bossa Nova? ‎[235 bytes]
379. (hist) ‎Onttype9. What is Cool Jazz? ‎[235 bytes]
380. (hist) ‎Onttype8. What is Modal Jazz? ‎[235 bytes]
381. (hist) ‎Onttype4. What is Big Band Jazz? ‎[235 bytes]
382. (hist) ‎Onttype3. What is Dixieland? ‎[235 bytes]
383. (hist) ‎Onttech4. What is a vocalization? ‎[235 bytes]
384. (hist) ‎Onttech3. What are rhythm changes? ‎[235 bytes]
385. (hist) ‎Ontdef6. What are the differences between Dixieland and Bebop? ‎[235 bytes]
386. (hist) ‎Ontdef5. Is free jazz jazz? ‎[235 bytes]
387. (hist) ‎Ontpj7. What is standard jazz harmony? ‎[235 bytes]
388. (hist) ‎Ontpj6. What differences and similarities exist between a solo performance and a group performance? ‎[235 bytes]
389. (hist) ‎Ontpj5. What is the jazz canon? ‎[235 bytes]
390. (hist) ‎Ontpj3. What is a conductor and what does she do to conduct? ‎[235 bytes]
391. (hist) ‎Ontpj2. What is an orchestra? ‎[235 bytes]
392. (hist) ‎Ontpj1. What is a combo? ‎[235 bytes]
393. (hist) ‎Ontmeta4. What is listening? ‎[235 bytes]
394. (hist) ‎Ontmeta3. What is noise? ‎[235 bytes]
395. (hist) ‎Ontmusic24. Can performances that sound the same faithfully represent and be of different pieces? ‎[235 bytes]
396. (hist) ‎Ontmusic24. Can performances that sound the '''same''' faithfully represent and be of '''different''' pieces? ‎[235 bytes]
397. (hist) ‎Ontmusic23. Can performances that sound '''different''' faithfully represent and be of a '''single''' work? ‎[235 bytes]
398. (hist) ‎Ontmusic23. Can performances that sound different faithfully represent and be of a single work? ‎[235 bytes]
399. (hist) ‎Ontmusic22. What conditions must be satisfied if a performance is to be of a particular piece? ‎[235 bytes]
400. (hist) ‎Ontmusic21. Is everything recorded in the score work-identifying and, hence, required in an accurate performance? ‎[235 bytes]

View (previous 50 | next 50) (20 | 50 | 100 | 250 | 500)