Difference between revisions of "Ontmeta11. Ontology, jazz, and musical works"
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===<span style="color:fuchsia">'''Introduction'''</span>=== | ===<span style="color:fuchsia">'''Introduction'''</span>=== | ||
| − | <span style="color:blue">Some philosophers think | + | <span style="color:blue">Some philosophers think that there are no musical works in jazz, such as Andrew Kania. Other philosophers believe the ontology of musical works makes no aesthetic differences, such as James O. Young. </span> |
* <span style="color:blue">Shalkowski, Scott A. [http://www.jstor.org/stable/2186101 "The Ontological Ground of the Alethic Modality."] ''The Philosophical Review'' vol. 103, no. 4 (Oct., 1994), 669–688. </span> | * <span style="color:blue">Shalkowski, Scott A. [http://www.jstor.org/stable/2186101 "The Ontological Ground of the Alethic Modality."] ''The Philosophical Review'' vol. 103, no. 4 (Oct., 1994), 669–688. </span> | ||
Revision as of 23:45, 24 January 2022
Discussion
Introduction
Some philosophers think that there are no musical works in jazz, such as Andrew Kania. Other philosophers believe the ontology of musical works makes no aesthetic differences, such as James O. Young.
- Shalkowski, Scott A. "The Ontological Ground of the Alethic Modality." The Philosophical Review vol. 103, no. 4 (Oct., 1994), 669–688.
- Young, James O. “The Ontology of Musical Works: A Philosophical Pseudo-Problem.” Frontiers of Philosophy in China 6, no. 2 (2011): 284–97.
- Young, James O. "The Poverty of Musical Ontology." JMM: The Journal of Music and Meaning vol. 13 ( 2014/2015): 19 pages.
- Young, James O. "Empiricism and the Ontology of Jazz." Revista Portuguesa de Filosofia vol. 74 (4) (2018): 1255–1266. DOI 10.17990/RPF/2018_74_4_125.
NOTES