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Showing below up to 50 results in range #51 to #100.

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51. (hist) ‎Eth5. How jazz relates to ethics ‎[47,727 bytes]
52. (hist) ‎Descartes's response to the Fourth Objections Andre Sarrazin ‎[45,102 bytes]
53. (hist) ‎Ep00. The history of jazz ‎[44,610 bytes]
54. (hist) ‎Ae7. What makes different jazz styles valuable? ‎[43,997 bytes]
55. (hist) ‎Descartes et Arnauld Les quatriemes objections Andre Sarrazin ‎[43,342 bytes]
56. (hist) ‎Ontmusic1. What is a musical work? ‎[39,993 bytes]
57. (hist) ‎Ontmeta00007. Test page ‎[38,639 bytes]
58. (hist) ‎Ontdef1. What is a definition ‎[34,331 bytes]
59. (hist) ‎Ae7b. What makes different jazz styles valuable ‎[33,799 bytes]
60. (hist) ‎Ontmusic00. Music Basics ‎[33,218 bytes]
61. (hist) ‎Ontmeta00000. Test page ‎[32,158 bytes]
62. (hist) ‎Gottlob Frege et la distinction entre conceptus formalis et conceptus obiectivus ‎[31,944 bytes]
63. (hist) ‎(Ep3mis1) Why mistakes in jazz are possible. ‎[30,973 bytes]
64. (hist) ‎Ep23. Can jazz have any musical works or performances equaling the best of Western classical music? ‎[30,383 bytes]
65. (hist) ‎Ep22*. Has jazz produced any musical works equaling the best of classical music ‎[29,841 bytes]
66. (hist) ‎MetaA5. What is the language of jazz? ‎[27,990 bytes]
67. (hist) ‎Ep22. Can jazz have any musical works or performances equaling the best of Western classical music? ‎[27,045 bytes]
68. (hist) ‎Ontmusic26. Critique of Nelson Goodman's Perfection Requirement for Song Identity ‎[26,710 bytes]
69. (hist) ‎Ep22. Has jazz produced any musical works equaling the best of classical music? ‎[26,634 bytes]
70. (hist) ‎"The End of Art and Jazz" ‎[26,540 bytes]
71. (hist) ‎Test Tables ‎[25,848 bytes]
72. (hist) ‎Ep19. Essentialism in jazz discourse ‎[25,307 bytes]
73. (hist) ‎TestTables ‎[25,273 bytes]
74. (hist) ‎Ontimpr7*. Can improvisation be taught ‎[24,403 bytes]
75. (hist) ‎Kant's Genius Art Machine ‎[24,399 bytes]
76. (hist) ‎Ontpj4. What is the ideal jazz musician like? ‎[24,306 bytes]
77. (hist) ‎Ontimpr11. Is Improvisation Essential to Jazz? ‎[22,986 bytes]
78. (hist) ‎Ontpj8. What intentions does a jazz improviser have? ‎[22,908 bytes]
79. (hist) ‎Ontimpr9. How two substantial jazz improvisations could be identical ‎[22,013 bytes]
80. (hist) ‎MetaA6. Objections to jazz having or being a language ‎[21,584 bytes]
81. (hist) ‎Ontimpr7. Can Improvisation be taught? ‎[21,545 bytes]
82. (hist) ‎Ae4. Adorno's critique of jazz ‎[21,054 bytes]
83. (hist) ‎Sp13. What relationships are there between democracy and jazz? ‎[20,377 bytes]
84. (hist) ‎Jazz Photography ‎[20,012 bytes]
85. (hist) ‎Ontpj11. What traits are most admired in jazz legends regarding their jazz prowess? ‎[19,874 bytes]
86. (hist) ‎Ontmusic14. Critique of Nelson Goodman's Perfection Requirement for song identity ‎[19,323 bytes]
87. (hist) ‎Ontmeta00005. Test page ‎[19,050 bytes]
88. (hist) ‎Ontmusic27. Slow Music ‎[18,534 bytes]
89. (hist) ‎Ontology ‎[18,320 bytes]
90. (hist) ‎"Memories of Birdland" ‎[18,154 bytes]
91. (hist) ‎MetaSB2. Can dogs hear music? ‎[18,137 bytes]
92. (hist) ‎Wells on Material Falsity Footnote 1 ‎[17,822 bytes]
93. (hist) ‎What is Your Musical DNA? ‎[17,644 bytes]
94. (hist) ‎"What is Your Musical DNA? ‎[17,644 bytes]
95. (hist) ‎Onttech2. What is swing? ‎[17,023 bytes]
96. (hist) ‎Ae3. Why is music good or bad? ‎[15,640 bytes]
97. (hist) ‎Ep1. What does the ideal jazz musician know how to do? ‎[15,495 bytes]
98. (hist) ‎Paul Rinzler's Response to Two Questions Regarding The Contradictions of Jazz ‎[14,584 bytes]
99. (hist) ‎Ontdef8. What is a bicycle? ‎[14,294 bytes]
100. (hist) ‎How to Edit ‎[14,294 bytes]

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