Short pages
Showing below up to 50 results in range #351 to #400.
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- (hist) Ontmusic29. Good Music: What makes it good? [11,466 bytes]
- (hist) Ontmusic2. Does jazz have/contain musical works? [11,693 bytes]
- (hist) MetaSB1. Can Martians (intelligent aliens ignorant of Earth's musical practices) play jazz? [12,287 bytes]
- (hist) Ontmeta0000. Test page [12,296 bytes]
- (hist) Cognition [12,522 bytes]
- (hist) Sp21. The impact of technology on jazz [12,784 bytes]
- (hist) TP 2 [13,052 bytes]
- (hist) Ontmeta2. What is silence? [13,261 bytes]
- (hist) Ontmusic30. What is syncopation? [13,297 bytes]
- (hist) What is the Philosophy behind JazzPhi? [13,328 bytes]
- (hist) Sp17. What is your jazz DNA 🧬 (or salt water taffy 🍬)? [13,463 bytes]
- (hist) Ep16. What are jazz legend's greatest accomplishments? [13,489 bytes]
- (hist) Ep25. Table of jazz legends notable accomplishments [13,805 bytes]
- (hist) Format Philosophy [13,875 bytes]
- (hist) MetaA4. Can silence exist? [13,900 bytes]
- (hist) EncyclopediaOfEarlyJazz [13,972 bytes]
- (hist) Onttype14. What is Jazz/Rock Fusion? [14,196 bytes]
- (hist) How to Edit [14,294 bytes]
- (hist) Ontdef8. What is a bicycle? [14,294 bytes]
- (hist) Paul Rinzler's Response to Two Questions Regarding The Contradictions of Jazz [14,584 bytes]
- (hist) Ep1. What does the ideal jazz musician know how to do? [15,495 bytes]
- (hist) Ae3. Why is music good or bad? [15,640 bytes]
- (hist) Onttech2. What is swing? [17,023 bytes]
- (hist) "What is Your Musical DNA? [17,644 bytes]
- (hist) What is Your Musical DNA? [17,644 bytes]
- (hist) Wells on Material Falsity Footnote 1 [17,822 bytes]
- (hist) MetaSB2. Can dogs hear music? [18,137 bytes]
- (hist) "Memories of Birdland" [18,154 bytes]
- (hist) Ontology [18,320 bytes]
- (hist) Ontmusic27. Slow Music [18,534 bytes]
- (hist) Ontmeta00005. Test page [19,050 bytes]
- (hist) Ontmusic14. Critique of Nelson Goodman's Perfection Requirement for song identity [19,323 bytes]
- (hist) Ontpj11. What traits are most admired in jazz legends regarding their jazz prowess? [19,874 bytes]
- (hist) Jazz Photography [20,012 bytes]
- (hist) Sp13. What relationships are there between democracy and jazz? [20,377 bytes]
- (hist) Ae4. Adorno's critique of jazz [21,054 bytes]
- (hist) Ontimpr7. Can Improvisation be taught? [21,545 bytes]
- (hist) MetaA6. Objections to jazz having or being a language [21,584 bytes]
- (hist) Ontimpr9. How two substantial jazz improvisations could be identical [22,013 bytes]
- (hist) Ontpj8. What intentions does a jazz improviser have? [22,908 bytes]
- (hist) Ontimpr11. Is Improvisation Essential to Jazz? [22,986 bytes]
- (hist) Ontpj4. What is the ideal jazz musician like? [24,306 bytes]
- (hist) Kant's Genius Art Machine [24,399 bytes]
- (hist) Ontimpr7*. Can improvisation be taught [24,403 bytes]
- (hist) TestTables [25,273 bytes]
- (hist) Ep19. Essentialism in jazz discourse [25,307 bytes]
- (hist) Test Tables [25,848 bytes]
- (hist) "The End of Art and Jazz" [26,540 bytes]
- (hist) Ep22. Has jazz produced any musical works equaling the best of classical music? [26,634 bytes]
- (hist) Ontmusic26. Critique of Nelson Goodman's Perfection Requirement for Song Identity [26,710 bytes]